Please join us for Part 4 of Exploring Beethoven's Piano Sonatas course, taught by Curtis faculty member and extraordinary concert artist, Jonathan Biss. This course is new and contains separate sets of lectures and sonatas that we not previously discussed. Specifically, in Part 4, we will cover Beethoven's Piano Sonatas Op. 2, No. 2, Op. 10, No. 3, Op. 28 and Op. 110.
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As with the other three Beethoven courses, it is not necessary to have taken the previous Exploring Beethoven's Piano Sonatas courses. We think you will be perfectly comfortable to start learning with Part 4, if you wish and go from here. There is always the option to go back to earlier parts at any time. Between these courses, there exists a large amount of additional resources and learning that might be helpful as you embark on Part 4. We certainly encourage you to take Parts 1, 2 and 3, if you have not yet. In the meantime, enjoy the class and Part 4 of Exploring Beethoven’s Piano Sonatas.
Syllabus
Week 1
We are glad that you have joined us for Part 4 of Exploring Beethoven's Piano Sonatas course, taught by Curtis faculty member and extraordinary concert artist, Jonathan Biss! This course is considered Part 4, with new and separate sets of lectures. Specifically, in Part 4, we will cover Beethoven's Piano Sonatas Op. 2, No. 2, Op. 10, No. 3, Op. 28 and Op. 110. As with the other three Beethoven courses, it is not necessary to have taken the previous Exploring Beethoven's Piano Sonatas courses. We think you will be perfectly comfortable to start learning with Part 4, if you wish and go from here. There is always the option to go back to earlier parts at any time. Between these courses, there exists a large amount of additional resources and learning that might be helpful as you embark on Part 4. We certainly encourage you to take Parts 1, 2 and 3, if you have not yet. In the meantime, enjoy the class and Part 4 of Exploring Beethoven’s Piano Sonatas.
Week 2
Op. 2, No. 2
Week 3
Op. 10, No. 3
Week 4
Op. 28
Week 5
Op. 110
Week 6
Your Thoughts Welcome
